Joseph Jude brings the laughter early on as the frightened Jonathan Harker, called to Dracula’s castle in Romania to transact some business, but he really gets to display his acting chops as he transforms from bumbling, nervous young businessman into the possessed sycophant of Dracula. - Theater Mirror (Dracula: A Feminist Revenge Fantasy, Really…)
Daughter Meena (a captivating Daro) and her brother Moe (an engaging Torres) also display their strong acting range in their portrayals of Meena and Moe as children through adults in their fifties. The actors also show excellent comedic timing, physical acting, and command of the final poignant scenes between father and son and mother and daughter.” - Theater Mirror (Middleton Heights)
But when Vietgone hits its stride... A wizardly trio of performers—Rob Chen, Kim Klasner, and Jude Torres—cover 16 roles between them and infuse each with comedic perfection. - DIG Boston (Vietgone)
In the closing moments of ‘The Get Better’, Fuzzkill unleash two of their most impressive tracks to date, ‘Everything Is Better (September)’ and ‘The Break’. Unyielding and uncompromising, the two tracks form a brash, perfect moment that some up the nature of the album perfectly, firing on all cylinders and throwing caution to the wind. It’s a fierce last hurrah that pushes everything else aside, letting the dust settle before the closing number ‘The Feel Alright’ fades into view. Easily the most impressive piece of composition and planning we’ve heard in months, ‘The Feel Alright’ echoes ‘Stupid Fucking Summer’ perfectly, lending a dark, emotive twist to the once fierce song. Haunting, visceral, and impossible to ignore, it’s a poignant and powerful end to an absolutely massive album. (The Get Better - Broken 8 Records)
‘On Your Own’ blends caustic rock ‘n’ roll with underlying musical theatrics that shine through at every opportunity.
‘Stupid Fucking Summer’ unleashes a defiant early highlight of the album. With a flourish of drums and rolling bassline it drips with passion and emotion, layering surprisingly harmonious vocals with a flurry of guitar to break through the alt-rock melee. Hopefully, defiant, and built to inflict maximum impact, it’s a song that you’ll find yourself returning to again and again, shouting along with each impassioned chorus. (The Get Better - Broken 8 Records)
